design systems design

Posts tagged “book

generative gestaltung

Reading old posts of Serial Consign, a blog about digital culture and information design, I came across this interesting generative layouts project.

The author is Benedikt Groß, at his website you get more information about generative strategies applied to graphic design and also find some InDesign scripting to play with.

He is also author, with Hartmut Bohnacker, Julia Laub and Claudius Lazzeroni, of Generative Gestaltung, a book published just in German at the moment. My German level is very very basic so I can’t wait for the English version.

Until now, designers used the tools developed for them by programmers, meaning that the persons doing the designing adapted themselves to the system. Generative design transforms design-schooled users of digital tools into programmers of their own individual digital toolbox. This opens up new visual vistas and fundamentally alters the design process.

Quoted from the publisher website (Verlag Hermann Schmidt), where you can sign in for the English version.


8vo on the outside

Via Swiss Legacy, I found out that some chapters from the 8vo on the outside book are available at Google Books. Unfortunately, those showcasing their flexible identities are not. The book is published by Lars Müller.

Recommended reading with interesting inputs about the importance of the design of the system, as opposed to the design of the outcome.

Image from the Hamish Muir website.


karl gerstner

Back in the 60’s, Swiss designer Karl Gerstner wrote Designing Programmes, a book about systems in graphic design that still valid nowadays and should be a reference for any graphic designer interested on this approach.

Designing Programmes is published by Lars Müller. Scroll down to see more details about the book by the middle of the page.

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typeface as a program

Thanks to manystuff, I came across the first book we feature here:

Calligraphy and hand-drawn letters comprise series of strokes and curves; mechanical typography does too, through the engraving process of punches and counter-punches. Digital typography, however, dematerializes this operation, leaving the choice of formal references open-ended. Does that mean novel forms of design could evolve through manipulating fonts’ algorithmic data? Several small scripting programs were developed and tested by the students during a series of workshops.

Full details here

Edited on May 17, 2010:

Finally I bough it. It is gorgeously printed in black and orange and I started reading it yesterday. Just with the introduction and the first chapter I have to say that it is worth reading.